Saturday, August 15, 1981
Took the 7:52 train to Interlaken,
eventually following the edge of hazy Thunersee/Lake
of Thun and debarking at Interlaken West at 9:30. Walked through town seeing
many horse-drawn carriages carrying tourists. Followed Bahnhofstrasse/Train Station Street and Rugenparkstrasse southwest.
Bought a couple “Tilsiter” carved wooden cows at Migros. At the foot of Abendberg/Evening Mountain and at the
edge of Rugenwald/Rugen Forest, there
was the Drahtseilbahn/Cable Railway Interlaken-Heimwehfluh. Bought the
half-price ticket for 3.80 CHF/$1.90 and boarded the funicular. The cable car
was small with open curtained windows. Cute but not romantic like the posters
indicated! We climbed through a thickly wooded area; no views. We reached
Heimwehfluh in about five minutes. I climbed up the small wooden Heimwehfluh
viewing tower with its views of two lakes.
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Heimwehfluh viewing tower (1890) to the right |
Thunersee was hazy and I couldn’t see Brienzersee/Lake Brienz at all.
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Interlaken from Heimwehfluh |
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View from Heimwehfluh |
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Heimwehfluhbahn |
Passed a children’s playground that included a seat on a cable that you could ride across an open area. Since I had 20 minutes until the “show” at the model railroad exhibit I hiked around in the cooler temperature woods. Saw Ruedi’s Rock.
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Ruedi's Rock |
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Trail signs |
The model railroad exhibit cost another 3.80 CHF/$1.90 for a taped explanation of the 1:45 (European ‘O’ gauge) model railroad with its signaling system like that of the Swiss Railroad. A dozen or so different trains circled around as it then became night, the moon came out, and later the sun rose again.
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Model railroad exhibit |
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Looking through the cable car at the tracks |
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Heimwehfluhbahn lower station |
Took the funicular back down to Interlaken, returned to the train station, and continued along the famous Höheweg/High Street, the social center of town.
Hotel Victoria Jungfrau is a
combination of a hotel that opened in 1865, designed by architects Jakob
Friedrich Studer and Horace Edouard Davinet, and the adjacent hotel built in 1869
by Davinet. They were connected by a domed building in 1899.
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Hotel Victoria Jungfrau on Höheweg |
The Höhematte was a vast park on the south side bordered with trees and plots of flowers. There were some meteorological instruments, a barometer, and a large telescope looking towards Jungfrau. Jungfrau must have been somewhere to the south in the haze. Passed the Kursaal/Casino (1859).
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Casino |
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Casino |
Saw the diving board of the swimming pool and miniature golf course on the opposite bank of the Aare River.
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Swimming pool |
The river itself was that funny “glacier” green. Continued on Höheweg with its Riviera-like hotels and many souvenir shops.
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Interlaken Ost/East train station (1917) |
Ended up in Interlaken
Ost/East, passing the
Christkatholische Kirche/Christian Ca
tholic Church (1906-1908 by German architect Wilhelm Hector) and Augustinerkirche/Church (1909-1911) and
Kloster/Monastery.
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Interlaken church steeples |
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Rear of Interlaken Schloss/Castle |
Rounded the south end of
Höhematte, turned south on
Jungfraustrasse, right on
Parkstrasse, ended up on
Hauptstrasse which became
Gsteigstrasse. That took me under the
Autobahn/highway, through fields, and eventually into Wilderswil.
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Looking towards Wilderswil |
Stopped at the Wilderswil train station.
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Berner Oberland Bahn |
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Schynige Platte Bahn |
Crossed a covered bridge to the
Gsteigkirche/Church (12C) and cemetery.
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Wilderswil covered bridge (1738) |
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Gsteigkirche/Church (12C) |
The area was full of typical Swiss chalets. Returned to the station and bought a .60 CHF/$.30 ticket to Interlaken Ost.
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Train to Lauterbrunnen at Interlaken Ost/East |
From there I crossed the Aare to the
Harderbahn lower station, bought a 5.30 CHF/$2.65 ticket for this larger funicular leaving at 14:00. It was clearing enough to see Jungfrau. In 12 minutes, after passing through a tunnel and the woods, you reached an altitude of 1322 m/4496’ at Harderkulm. Walked to the Harderkulm Restaurant with its views of the three major mountains of the Bernese Alps: the Eiger,
Mönch/Monk, and
Jungfrau/Maiden or Virgin.
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Jungfrau |
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Eiger, Mönch, and Jungfrau |
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Harderkulm Restaurant |
You could see the
Jungfraujoch/Pass between the
Mönch and Jungfrau. Returned down the mountain on the 15:00 funicular.
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Harderbahn |
At the bottom there was a small zoo, with marmotte, a camoscio and stambecco. I guess I need to re-name these animals from the Italian in which I was introduced to them.
The Murmeltiere/marmots, Gämse/chamois, and Steinbock/ibex.
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Zoo |
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Swiss SBB train |
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Harderbahn lower station |
I wandered back through Interlaken to the Interlaken West station, learning that I needed to purchase the Tell Freilichtspiele/Tell Open-Air Play tickets at an official agency office. Bought the cheapest one and fortunately it had a map directing you to the theater, which I had not successfully found previously today.
But since I still had time, I crossed the Aare into the town of Unterseen located on the Bödeli, the bit of land between the two lakes.
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Unterseen gate |
The Dorfkirche/Village church (13C) is supposed to be a great landmark for photographing the Jungfrau behind it. I could not back up far enough to get them both in a photo.
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Unterseen village church (13C) |
I crossed back into Interlaken on another bridge and could see the weirs.
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Aare River weirs (1854) |
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Aare River |
I did some window shopping and found a cuckoo clock at the least expensive price I have yet to see. Bought the last one of a certain model, being the demo, but at least I knew it worked. I went to put the cuckoo clock in a locker at the train station and checked train times. I bought a slice of Linzertorte, like a raspberry tart, to eat in Höhematte, before heading to the Tellspiel theater. Just a short distance down Hauptstrasse, the entrance is on Tellweg.
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Tells Play ticket |
The crowd was admitted at 19:30, and most went to buy tickets. I used the restroom. Noted they were renting wool blankets. The usher in a studded denim jacket showed me my seat and offered me a program in English. I said “Merci!” (The Biel thank-you.) Actually the program was in German, French, and English. The audience of 2200 sits in a large bank of seats under a roof. The seats faced a wooded hillside with life-size Swiss buildings and the beginnings of a stone tower.
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Wilhelm Tell stage |
The Tell play is not only about the
Swiss national hero Wilhelm Tell, but about Swiss history and the prelude to
the birth of the nation. The setting was in the 16th century and the
play was first done in 1912. The German version of the introduction also
explains that the actors/actresses are all amateurs and local people. Every
time an actor scurried across the back in the woods, the audience started
clapping. Then you could hear cow bells. The play began with the townspeople
welcoming back the cow herders in a traditional procession where the best cows
get to wear the largest bells and headdresses made with flowers. They had a
sizable herd of cows and even some frisky goats. There are supposedly 250
actors in the play, and maybe 20 horses. The Austrian troops on horses were
always galloping across the stage, and Lady Berta, who rode side-saddle, even
charged up the hill on her horse. Having read the play’s synopsis in English, I
was able to follow most of the Swiss-German spoken in the play. The formal
language was the old Ihr and Euch version.
When Tell was ordered to shoot an
arrow through the apple on his son’s head, he hemmed and hawed and dropped his
crossbow a couple times. As he aimed again, Lord Rudenz came charging over on
his horse to yell at the bad guy Gessler (everyone had to bow to his hat on a
pole). They rushed about on their horses causing quite a commotion. I tried to
keep my eye on Tell to see how they did the arrow in the apple, but more
mounted guards came in and added to the chaos, and I missed seeing Tell as he
“shot” the arrow. You could hear a “boing” and I saw the son move as if to grab
the falling apple and came up with one with an arrow in it. Well done!
Pictures from the program:
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Welcoming the cow herders |
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Wilhelm Tell is arrested |
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Wilhelm Tell's son with an apple on his head |
There had been a 15-minute
intermission, and the play ended at 23:00. That did not leave me enough time to
catch a train home. I had already heard that all the hotels and hostels were
full, so I prepared to camp out in Höhematte.
However, I found that the Augustinerkirche/Church
was open and the pews had seat cushions to make a comfortable bed. I settled in
for the night, only to find that the church bells rang every quarter hour! I
was also very cold, and was glad I was not outdoors, especially by the river. I
heard some traffic, and occasional “joint” mice squeaks, but was otherwise not
disturbed. The church turned out to be a true sanctuary.
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